Arbor 8-10-14 #5, 2014
Image and print size: 60.5 cm x 91 cm
Edition of 1
Only 1 left in stock
Fels’ cyanotype series stem from his lengthy engagement with a single subject: a tree in his garden and it’s dappled shadows. Previously he had addressed these through pencil drawings and photographs. The discovery of the availability of large-scale cyanotype paper, a medium to which he had been alerted through his work with photographs of the 19th century, took the experience in a new direction.
The cyanotype is an early process of great simplicity and unique colour – a deep blue. Typically, the method has been employed to produce silhouettes – of leaves, for example, as in the botanical illustrations of the pioneer British photographer Anna Atkins (1799-1871) – but the same process was also used to make photographic prints from negatives, as well as architectural blueprints.
Fels’ cyanotypes are camera-less photographs, popularly called “sun prints” or “shadow prints.” There is no negative; each is unique. The prints are life-sized, 1:1 scale renderings of their natural subject matter obtained directly, outdoors, from bushes and trees. This print is from his Arbor series, which is at once both empirical and romantic. The result of a technical process dependent on light and chemistry alone, these prints can be regarded on one level as simply un-manipulated records of the organic world. On another they are richly suggestive, capturing a deeply evocative sense of motion and form. This photograph is sold as print only. Other works are available by this artist, to see a wider selection please contact us.